My name is Beth! I hope you will join me on my adventures as I share my thoughts and writings on coziness minimalism, and life. So grab a cup of tea, mug of coffee, or glass of wine and let’s talk cozy!
I’m a nervous highway driver, on occasion. Weirdly, singing seems to help with that. So, sometimes, I sing when I drive. I sing when I drive when I’m nervous, that is.
When I was new to driving as a teenager, my dad would passenger seat “drive”. He had an imaginary brake pedal on the ceiling of the car and when he’d hold his breath in silence and reach for it with his hand, my confidence would waver. I remember thinking that a very real passenger-side clutch pedal would have been much more practical because no matter how many times my dad told me at first, “G’head; ease up on the clutch. You’ll feel it,” he seemed only to be all sorts of crazy at the time and me – all sorts of confused. Of course, he was right, and if you know how to drive a manual transmission, you know what I’m talking about. For the rest of you, there is no other way I have found to explain it; so you’ll just have to trust me on this one, okay?
Before moving back to New Jersey, I was out of practice with driving, having lived in New York City for seven years where cars are things that you sometimes forget exist as modes of transportation rather than simply as perpetual enemies to face at crosswalks and invisible crosswalks, alike. I decided to ease my way back into highway driving with a nice little “test drive” by following behind the U-Haul that Mike drove during our move. White knuckled and singing, with a nice big U-Haul to tail (and the U-Haul’s being restricted from going on the Parkway), we made it, somehow. Mike was proud of me, I was proud of me, and I think it’s accurate to say we were both sort of in disbelief. Turns out I could do it all along, like the whole time probably, you guys. Who’d have even thought?
Driving and music just sort of go together for me. My sister did most of the driving when we were in high school. She knew the radio stations to preset and had taste in music that I’d not yet honed for myself. I trusted her musical prowess and learned to like the emo pop and rock bands that were so popular in my school days. In middle school or high school (I can’t remember – help me out if you know, dad!), my dad showed me how to use his and my mom’s record player and my musical knowledge expanded to include Van Morrison, the Beatles, The Who, Cream, and Emmitt Rhodes, among others, heard as originally intended. The soft thud and crackle of a needle dropped in a vinyl groove has been a very comforting sound ever since. I’ve not touched a record or a record player for years now, but I can recall that sound as easily as I can hear my neighbor’s music playing next door right now. Unexplainable, yet simultaneously explainable – you know, magic.
Nowadays, I have an included music subscription through Amazon Prime, built on a Prime Music Unlimited subscription that I paid for (and got very limited use out of if I’m being honest), for over a year. It’s basically the same as the paid version, except that I can no longer pick the exact song I want to listen to at the exact moment I think to listen to it. The song’ll come on eventually, I have learned, and I’ll hear new stuff that I’d otherwise not have known about while waiting for it to do so. I use this music subscription, almost solely for car-based purposes and it has been my co-pilot (cough – karaoke machine) for many a long drive.
My taste has since evolved into something with an identity of its own that I’m proud of and that I don’t care whether or not other people share in. My go to for driving is almost always something by Vampire Weekend (or something similar now, by the unpredictable nature of the Amazon Music roulette wheel). Before I got rid of my paid music subscription, I mourned the final days of still having the ability to play the entire Father of the Bride album in its intended order, getting lost in songs like Bambina, Sunflower, and Flower Moon. I’d like to say I sing along to Vampire Weekend, but what I actually do is try to sing along to Vampire Weekend, as, at least for me, many of the songs would take a gazillion driving listens to get the words right (as you must remember; I cannot look at the lyrics because – driving). No, I sing whatever words fit the pleasant Koenigean warbles and “my audience” is not displeased.
I think of the Beatles writing Yesterday and Paul McCartney using the original placeholder lyrics of, “Scrambled Eggs. Oh my baby how I love your legs,” and I think it’s totally reasonable to change the words to something like Diane Young, Don’t Lie, or Cape Cod Kwassa Kwassa for my own listening (and driving) pleasure. Someday I’ll look up the words, though I’m happy enough with my own versions for the time being.
Perhaps my nervous reaction to driving was born from that invisible ceiling brake. Maybe it was the watching for the opposing traffic’s yellow lights while I was stopped at a red at intersections (you know – to leave sufficient time to feel the clutch). Maybe it was how fifth gear liked to keep me on my toes by sticking every once in a while when downshifting to fourth. At some point in time, specific origin unknown, it came to be, and here I live to tell the tale, much improved thanks to uninhibited car singing and an affinity for Vampire Word Salad.
I’ll end it here before this last track skips, but feel free to set the needle down at the beginning again if you so choose.
I’ve been reading a lot of Tolkien this year, among other authors, and can say he offers an escape worthy of the time and brainpower it takes to digest his world-building, maps, pronunciation guides, timelines, and versatile storytelling formats. I’d never read Tolkien’s works before, but I’d seen the Peter Jackson – helmed The Lord of the Rings films and decided to attempt the feat of pouring my eyeballs over the entire epic journey of the ring bearer and his companions in written format from start to finish, and then some.
I spent many cold, winter mornings and evenings curled up on our blue couch, or in a chair by the window, my toes cozy with the warmth provided by the baseboard heater. I’d toss a throw blanket over my lap, my steaming mug of tea or coffee or glass of red wine – close at hand, getting safely lost in the pages of a very dangerous and complicated fictional world. Let’s just say if your brain’s at risk of turning into mashed potatoes, just read through a Tolkien Appendix or “The Battle of Unnumbered Tears” chapter in The Children of Hurin and you’ll be sorted for at least a little while.
I started with The Hobbit, a prequel to “the trilogy”, after seeking the advice of a friend. As the story began, I met a Tookish hobbit named Bilbo Baggins who both craved adventure and was resistant to it. I recognized such a personality immediately, sharing in these traits myself. I joined Bilbo, Gandalf, and a company of rhyme-named, treasure-minded dwarves on a romp through parts of Middle-earth from West to East, from The Shire to Erebor, a.k.a. The Lonely Mountain.
I tasted adventure and couldn’t get enough. The names became easier to differentiate and the characters came to life in my mind. I read of trolls, a victory of wits, a rank cave of treasures, and the last homely house in Rivendell. I tensed as wargs and goblins pursued Thorin and his company. I soared to eyries on eagles’ backs and trekked through the endless darkness of Mirkwood, cowering beneath Shelob’s (chatty) spider-spawn and grew intrigued yet suspicious of vanishing, feasting wood elves. I cautioned my thirst at magical streams and hid behind Bilbo as he sweet talked a cunning dragon called Smaug. It all made real life feel a little easier, not having to face those trials first-hand. It made reading “the trilogy” a little easier too.
My Preciouses
It was helpful to come to The Fellowship of the Ring with a lay of the land, to some degree (a familiarity with the films was a helpful crutch as well). Middle-earth is a vast realm and only seems to increase in size the more Tolkien stories I read. The first book of the trilogy fleshed out the maps introduced in The Hobbit. The journey started as The Hobbit had, in the familiarity and comfort of The Shire in the most eastern lands of the old West, with my old, new friend, Bilbo. What ensued was a journey of nothing less than epic proportions, a fantastic escape like a fever dream that lasted over a month and was disappointing to wake from.
I learned that Bilbo’s ring was more than just an invisibility cloak that he employed as a party trick or escape tactic. I learned that The Shire was not exempt from the dangers of the East, as it seemed in The Hobbit, those dangers held at bay by protective, mysterious rangers, men of the sunken West. I met a mischievous, ravenous tree, and was relieved, yet wary, at the rescue of Frodo’s companions by Tom Bombadil, the yellow-booted “master of the land”, who simply is and his wife, Goldberry, the river-daughter, surrounded by bowls of flowers in their cozy respite of a home. As Frodo, Sam, Merry, and Pippin evaded a few of “The Nine” hooded riders on horseback, relief washed over me again, followed by intrigue at the introduction of the mysterious ranger, Strider, in the Prancing Pony tavern who would come to be their guide, protector, and a major power-player in Tolkien’s complicated tale.
The journey continued on, presenting harrowing scrapes with danger, a slightly altered cast of characters from the film adaption, and what seemed like a lot of songs. Tolkien is a poet who expertly plays with words and inserts poetry into prose in a way that adds meat to the story while also explaining some of the history that is helpful to understand the state of things in the “First Age” and “Second Age” of Middle-earth a little better and to bolster the current affairs in the “Third Age” in which the story takes place. His poems sing and while the music probably sounded different in my mind than in his ear, there were indeed the makings of a melody.
Tolkien creates new languages on the basis of existing language foundations and principles, some even possible to learn if you have the interest, patience, and time. I think, personally, I’ll just stick to my Duolingo French for the time being.
Tolkien establishes relationships in the first book of the trilogy as well as an overwhelming sense of obligation, empathy, trust, and apprehension among the shepherds of the ring. Every surety is tested until it is unsure. Curiosity overwhelms and havoc ensues in the form of orc attacks and Balrog-induced cliff-hangers. There is heartbreaking loss, but temporary safety is often a close-following companion.
And then there’s Lorien.
A land of the elves, concealed amid the treetops, a place almost too glorious for human understanding, that none but Tolkien could invent and convey with his magic words.
I went out to buy the next two books before I finished reading The Fellowship.
Funny thing, when you purchase a Lord of the Rings book, it seems to serve as a guaranteed conversation-starter with the bookstore cashier. When buying The Fellowship of the Ring at Labyrinth Books in Princeton, I smiled when the cashier felt compelled to share that Andy Serkis recently narrated a new audio book adaption of The Fellowship of the Ring, just assuming I knew who Andy Serkis was while providing no additional info and ignoring the fact that I was literally handing him my credit card for a paperback copy at that very moment. Luckily, I did know who Andy Serkis was and was able to offer some sort of interested response, because it is my firmly held belief that Andy Serkis was perhaps born with the main purpose of bringing Gollum/Smeagol to life in the LOTR film franchise.
When I bought The Two Towers and The Return of the King at Barnes and Noble, I was met with an, “Awwww; Lord of the Rings! My dad used to read those books to me when I was a kid.” And that’s connection right there, people. I can attest that the secret network of Tolkien fandom is alive and well.
If I read these books as a child, without seeing the movies, I wonder how much of Tolkien’s talent I would have actually appreciated as I floundered to grasp names and races and languages and maps and quarter-turned, counter-clockwise, rotated geography for over a thousand pages. I’d have sunk like the lands in the West, for sure. No, adulthood was necessary, for this reader at least.
I finished The Fellowship and immediately went on to The Two Towers, impatient for the adventure to continue.
If you’re looking for orcs, don’t you worry. They are served up in heaping portions in The Two Towers. I read on, worried as the Fellowship separated due to the divided fates of the young hobbits. I mourned a fallen ally on the banks of the Anduin. My skin itched at the sight of two glowing orbs in the darkness and ice trickled down my spine as Gollum/Smeagol led Frodo and Sam through the Dead Marshes, the description of the faces in the bog and the thought of their cold, flacid skin, vivid as touch in my mind.
I’d walk through my local woods and recognize The Shire in the hill of the Battery, Moria in the Battery bunkers, and the Anduin in the river below. Lorien gleamed in the early morning sunlight, golden on the leaves, while Mirkwood lurked in the fading dusk, ominous with each rustling that broke the static, blue silence. Fangorn was present in the strength of the trees and Isengard invaded where trunks had been felled for restoration. There is no Mordor here, however, and the map is reversed, the lands in the West – now in the East, sunken in the sea.
I dreamed of battle encampment, my imagination hyper-activated in sleep, and the sure menace of orcs and probable doom lying in wait. I didn’t feel ready for certain defeat and stressed over having never wielded a real sword. I didn’t have the courage of the ring bearer and his company. Cold sweat woke me. Disorientation overwhelmed as I fumbled for glasses on my nightstand in the dark, slowly coming to sharpened reality. I reserved my battle-cry for next time, ultimately fading back into a safer dream, shielded by a warm quilt, soft sheets, and safe shelter, a world away from the battles of the Third Age.
Shelob was absolutely horrifying and made me realize that Samwise is perhaps the truest hero in Tolkien’s epic tale for the challenges that his creator constructed for him. (Pro tip! Don’t Google Shelob if you are afraid of spiders.)
Another cliff-hanger ushered me straight into The Return of the King and I found my favorite of Tolkien’s books, so far at least. I really think it would be a tough one to beat, however. The storytelling in this book is more well done than a steak at Chili’s. The way Tolkien unfolded simultaneous events, devoting appropriate attention to each battle, escape, and rescue, all while keeping the story going and maintaining the quality of the character relationships fed a glow of admiration within me. I know I won’t ever equal storytelling like that, but I felt lucky to read storytelling like that and that’s enough for me, I think. We’ll see.
A culminative battle brewed as the fate of the bearer hung uncertain in the hearts of his scattered company. The forces of men, elves, dwarves, wizards and a couple of brave hobbits combined to fight a growing, visible darkness. Dread prickled my scalp as a small company braved the kingdom of the dead on blind trust of their leader, he – destined to rule in an age to come. My heart pattered in the Houses of Healing in Minas Tirith, melted in the fiery waste of Mount Doom, and soared in flight with the eagles, once again. I almost wished it had ended there and to never have known The Shire touched by darkness, but then Merry and Pippin would not have felt themselves worthy of the title of hero in the end, each earning it gloriously, like their other hobbit companions.
Tolkien tugged a few remaining threads on the seams of the story and just like that, it was finished.
I craved the first page and the unknowing mind again. Instead, I sifted through timelines and appendices and that satisfied, for the time being.
Tolkien is a tutor for what language is capable of, what the creative mind is capable of, and the influence a great creative mind can have on other artists, readers, and adventure seekers. Tolkien’s epic storytelling ability is an unreachable destination, a myth, lore – surely, right? And yet, it was achieved by a man of very human proportions (with a heavy dose of talent).
“What has [Tolkien] got in [his] pocketses?” as Gollum might ask.
The heart of the shore house beats with the influx of familiar faces after the renting geese who flocked here for a change of scenery migrate home. The stairs creak in welcome at the sound of our identifiable steps and the walls sigh with relief as we walk through the front door and exchange warm greetings amongst family. The smiles, raised glasses, wagging tails, and toddler hugs refuel our tired spirits and remind us that although we share this place with so many, it is ultimately ours and together, we are home.
The shore house, though never my primary residence, is the home that I remember best from my childhood. It is where I spent my summers with my Nana and my Aunt Arlene. It is where I learned to cook with way too much butter and salt which I’ve since learned to remediate. It is where I learned the manners of a lady and sometimes defied that lesson by channeling a hereditary instinct to be wild thanks to the generation before me (though it is now impossible to mislay the cup, napkin, knife, and fork in a table setting).
The shore house has seen me shattered, coming back to a gloom within its walls that seemed they’d never feel full again the day my Aunt Arlene lost her battle with pancreatic cancer. The shore house helped me to start the healing process in the days that followed. It is where I learned the benefits of solitude, self-reflection, and the great company and support that you can find on the pages of a book.
The shore house, along with my Nana and Aunt Arlene, is why I know my family so well, why my cousins are more like sisters to me and my sister, and why I feel a need to spend so much effort nurturing a building, these days, despite the fact that doing so can push me to my stress limits better than anything else can.
With the shore house, my Nana and her sister created a home for all of the family to feel is ours. Nurturing the space reciprocates a respect for the value that it adds and has added to our family’s shared experience. In our shared home, we strive for functionality and something that is easier to care for, for the benefit of our migrating guests, but we also make sure that there is an abundance of coziness for ourselves as well.
Coziness, to me, is a combination of functionality, minimalism, and personal identity. Sometimes coziness seems like something else entirely to other members of my family. We make it work, though I can’t fully say I understand how.
Conch shells, Bananagrams tiles, paintings of ships in storms, lighthouse figurines, and donation bags coexist.
Someone always has to sleep in Room 6 and wake up with a head bruise or two, courtesy of the steeply sloped ceiling.
There are often more than twenty-five pairs of shoes by the front door. The TV volume always fuels debate for what is to be considered a reasonable volume, as my Nana used to say. It takes hours to settle on a movie to watch and then someone inevitably leaves the room just after we hit play.
At the shore house, we drink way too much whiskey, too much wine, and just enough beer. Cheese and See’s Candies are considered reasonable meals. We stay up too late talking and laughing on the porch. We wake up to Daisy sniffing at the bedroom door and come downstairs to the perfume of coffee, the sound of cartoons, and a chorus of good mornings in the living room with each new entrant.
There are porch people and couch people and beach people.
The showers are usually taken.
The showers are cold when it’s finally your turn.
The kitchen is stifling in the evening no matter what setting the ceiling fan is on.
Eggs, oatmeal, bacon, and Del Ponte’s treats nourish us in the mornings – and coffee, of course. “I could do another cup,” sings the chorus of porch people.
We smell like sunscreen and the ocean. We are fiercely competitive at Five Crowns and The Fishbowl Game. Our shoulders sparkle with dried, Atlantic salt. We find sand in unexpected places. We could write an encyclopedia of inside jokes at the end of each summer, but sometimes forget how they originated.
We welcome, we nurture, we work hard and together. We keep the dream going for another year and another year and another year, thinking it’s getting easier until something hard happens. And then we remind ourselves that despite occasional stress fractures, it’s possible to heal, and our house has good bones.
A friend of mine once asked me how I come up with ideas for my blog posts. I confessed to her that my process is not so thought out, but rather a let’s just see what happens approach. If I feel like I have the stamina to write something for the blog on a particular day, I open my laptop and hope to be inspired.
Most of the time, to my own astonishment, it works and words string into sentences and paragraphs like a dream. There have been seven times (maybe eight with this one, who knows?) when it hasn’t, but I have grown used to ignoring the number of unfinished drafts in my writing view of the blog. Maybe one day I’ll devote fresh eyes to those, but for now the back burner is big enough to hold them all, so there they will sit for now.
Sometimes a title comes first – sometimes a particular line of a poem. Sometimes a memory or a feeling gets typed out and sits alone on the otherwise blank page for a while until words fill in the space around it, disguising it amongst the forest of sentences and stanzas, seemingly equal to the rest.
I clutter with words. They are something I found again when I began to simplify things. Writing words brings me joy and so I do not set a limit on them.
I always wished I could speak as comfortably as I write, but something gets lost in translation with the whole words coming out of my mouth thing while simultaneously breathing and thinking. It’s nerve-racking to go off script when other people improvise. I often rewrite conversations in my head that have already happened. The ones that can’t be edited are torturous. I write conversations that will never happen as well and wonder how they’d play out in reality.
I used to have a debilitating fear of talking on the phone to strangers. Like, I was afraid to order a pizza growing up and I love pizza. There was even one time during college when I thought I left my wallet in a restaurant and Mike told me it was ok and to just call the restaurant and he was sure it would be there. All I can say in response to that is thank goodness that wallet was just stuck between the car door and the passenger seat of Mike’s mom’s car, otherwise it would have been irretrievable. I mean it was bad you guys.
To have an irrational fear of saying words as a person who loves words doesn’t make any sense and I let it limit me for way too long. I soon learned, however, to my relief, that I wasn’t the only one who had trouble on the phone.
The summer after graduating college, I got an internship as a scheduling coordinator at a rehearsal rental studio in Manhattan. I remember keeping a Post-It note in front of the phone at work with impossibly difficult information to remember such as my name, the name of the studio, and the studio’s phone number so that when my throat began to tighten when I picked up the receiver and my thoughts turned to static, I’d have some lifeline to hold onto. I know– tough stuff.
It wasn’t until I got a call at the rental studio from a boy who was clearly more nervous on the phone than I was that I began to get over this irrational fear. He forgot to give me his name when he booked and hung up before I finished asking for that info. I called him back to finish the booking, silently praising my Post-It note strategy, knowing that without it, I’d be drowning due to my overactive salivary glands that switched on as soon as I picked up the receiver. The boy picked up and admitted that he was nervous talking on the phone. I told him not to worry and that I was too sometimes (white lie- I know). I got his name and finished his booking and we ended the call, each feeling a little less alone perhaps and a little more comfortable on the phone. That phone call changed a lot for me and I grew confident in a career that heavily involved answering and making phone calls.
Writing helped me cope with my phone phobia. I used to write out everything I needed to say on the phone if I were making an important call; in fact, I still do sometimes. I have even learned that some of my friends do this too and it makes me feel less like a malfunctioning robot of society. Somehow, seeing the words written out in an order that makes sense before I release them from my mouth gives me confidence. You can’t, however, pre-plan most of life’s conversations. Like I said before, I clutter with words. They are shoved in the hall closet of my head like miscellany after panic-cleaning and I’d hate for something to fall out that would disrupt the order of the room. Sometimes, however, words fall out and get a laugh or a smile and those make the uncertainty of it all worthwhile.
cozy does it 